Thomas artist of the hudson river school

American artist, one of the last painters in Hudson River School, known for his exploration of the effects of light and how it reflected, refracted, and absorbed on landscapes and seascapes. Johann Hermann Carmiencke. Engraver who was encouraged to take up painting by Asher Durand. Charles H. Church is perhaps best known for painting large panoramic landscapes, often depicting dramatic natural phenomena, with emphasis on light and a romantic respect for natural detail.

In his later years, Church painted classical European and Middle Eastern cityscapes. He created many of his works at Olana. Commonly acknowledged as the founder of the Hudson River School, he painted scenes near his home in Catskill, New York. National academician whose landscapes show the influence of the Hudson River School, he is believed to have studied under Asher Durand.

Jasper Francis Cropsey. First-generation member of the Hudson River School, he painted autumn landscapes that startled viewers with their boldness and brilliance. As an artist, he believed landscapes were the highest art form and that nature was a direct manifestation of God. Cropsey was a founding member of the American Watercolor Society , and was one of few Hudson River School artists to paint in that medium.

Victor DeGrailly. First American artist to work exclusively as a landscapist and was successful both for his skill and the fact that Americans were turning their interest to landscape. Robert S. African American artist painting before and during the Civil War whose landscapes were influenced by the Hudson River School. Engraver who took up landscape painting, he is particularly remembered for his detailed portrayals of trees, rocks, and foliage, especially with his masterpiece, Kindred Spirits.

He also mentored and encouraged many other more junior artists. Samuel P. William Charles Anthony Frerichs. Charles Henry Gifford. Sanford Robinson Gifford. One of the leading members of the Hudson River School. Gifford's landscapes are known for their emphasis on light and soft atmospheric effects, and he is regarded as a practitioner of Luminism , an offshoot style of the Hudson River School.

English army officer who emigrated to the United States around He sketched and painted pastoral landscapes throughout the northeast, especially in Maine, Connecticut, and the Hudson River Valley. Scottish -born American landscape and cattle painter of the Hudson River School. His older brother, William Hart , was also a Hudson River School artist, and the two painted similar subjects.

Sister Julie Hart Beers Kempson was also a landscape artist of this school. Several women were associated with the Hudson River School. Susie M. Barstow was an avid mountain climber who painted the mountain scenery of the Catskills and the White Mountains. Hudson River School art has had minor periods of a resurgence in popularity. The school gained interest after World War I , likely due to nationalist attitudes.

Interest declined until the s, and the regrowth of the Hudson Valley [ vague ] has spurred further interest in the movement. One of the largest collections of paintings by artists of the Hudson River School is at the Wadsworth Atheneum in Hartford, Connecticut. Some of the most notable works in the Atheneum's collection are 13 landscapes by Thomas Cole and 11 by Hartford native Frederic Edwin Church.

They were personal friends of the museum's founder, Daniel Wadsworth. The Newington-Cropsey Foundation , in their Gallery of Art Building, maintains a research library of Hudson River School art and painters, open to the public by reservation. Contents move to sidebar hide. Article Talk.

Thomas artist of the hudson river school

Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. American art movement. Overview [ edit ]. Founder [ edit ]. Second generation [ edit ]. Female artists [ edit ]. Legacy [ edit ]. By , his success enabled him to take the Grand Tour of Europe and especially Italy, where he remained in —32, visiting Florence, Rome , and Naples.

In it, a river journey represents the human passage through life to eternal reward. Cole painted and exhibited a replica of the series in Rome, where he returned in —42, traveling south to Sicily. After his return, he lived and worked chiefly in Catskill, keeping up with art activity in New York primarily through Durand. In , Cole welcomed into his Catskill studio the young Frederic Church , who studied with him until and went on to become the most renowned exponent of the generation that followed Cole.

By , Cole was at work on his largest and most ambitious series, The Cross and the World unlocated , but in February contracted pleurisy and died before completing it. Avery, Kevin J. Noble, Rev. Louis Legrand. The engraver , portrait, and genre painter Asher Durand was one of the three discoverers of Thomas Cole in and, in the following decade, was gradually moved to take up landscape painting himself.

With the example of Durand in both word and practice, outdoor sketching in oils as the foundation of and model for studio landscapes became common, and both plein-airism and the loosening authority of Sublime aesthetics led to a less inflected idiom whose most conspicuous features often were the light influencing terrestrial forms and the air bathing them.

This trend coincided with the proliferation of tourist resorts both inland and on the coast during the Civil War period , along with the refinement of the vacation experience—increasingly pursued to relieve the pressures of urban workaday life. Painters who both reflected the new aesthetic standards and accommodated the vacationing class of patrons were John F.

Somewhat exceptional were Frederic Church and Albert Bierstadt, who in a measure extended the heroic landscape ambitions of Cole after his death. Establishing his reputation with outsize depictions of North American scenic wonders such as Niagara Falls, Church was stirred by the travel accounts and scientific tracts of the German naturalist Alexander von Humboldt to journey twice to South America in the s and paint large-scale landscapes of the equatorial Andean regions that encompassed torrid to frigid habitats in a single picture—the Earth in microcosm.

It was promoted as a single-picture attraction—i. After a stint in Switzerland and Italy, he returned to the U. The great painting was placed as a deliberate complement and competitor opposite The Heart of the Andes in the art gallery of the Metropolitan Fair in New York in In another gallery of the fair, the artist mounted a tableau vivant of real Indians recalling those in the foreground of his picture.

In , Bierstadt was among the earliest white visitors to Yosemite, and produced many large paintings of that region. He toured many times in the West, as well as in Canada, Alaska, Europe, and the Bahamas, and cultivated a large international clientele. His numerous sales enabled him to build a baronial mansion on the Hudson River at Irvington in , even as Church was beginning his great home overlooking the river at Hudson, New York.