Henrijs preiss biography sample

No matter how tempting, please do not touch the artworks! Henrijs Preiss studied set design in his native Latvia before coming to London to study art. Preiss uses the imagery and styles of these references to make his abstract patterns. Each of his paintings is based around a central motif that suggests a mystical emblem. Preiss creates his designs to question ideas about power and belief.

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You are already subscribed. But it does give a bit of a picture of a time when he made some significant choices in his life. I began to work in an advertising agency, not just for the pay, but also because of the resources available for realizing my ideas. He was a handsome, fair-haired youth with elegant glasses, and in the video had to do nothing more than to drive an extremely expensive car.

Along the roadsides there were signs inviting to take out loans, buy properties, make deposits and so on. A reminder should be given here that Latvia had not yet been admitted to the European Union and this was an isolated instance. Later on, though, you could begin to think that the image of a successful professional really did suit Henrijs — his career looked smooth and perhaps even seemed to have been successfully calculated.

Some of his works also ended up in its collection. Later it transpired that Henrijs Preiss was once again driving around in a car — this time for a full eleven months, travelling around the deserts of North America. His exhibition in Latvia was the first after his creative holiday. The booklet has a fold out appendix in which you can see the works of scenography students.

Among them are, for example, Monika Pormale, Anna Heinrihsone and others. New media were coming into the field of stage design, but there was no place in Latvia where I could learn to use these new technologies. London seemed to offer all of these new possibilities, as well as access to the latest different kinds of knowledge and ways of working.

At first I was confused, but then, as the system allowed me to experiment, I enjoyed it more and more. Yes, I started to think about other ways of expressing myself creatively, and so I started to paint. At the time, I had completely given up stage design and I was only into painting. Since I had a formal education from the Janis Rozentals Art High School from the ages of 13 to 18 , it was natural for me to draw those kinds of geometrical shapes, and also to use the color scheme that I had chosen.

I see in your paintings a big influence coming from ethnic, or even pagan, symbols from Baltic culture. What is your relationship to this sort of new-agey folk-romanticism? It is crucial to understand, and it always fascinates me, that people understand my paintings as their own cultural heritage. For instance, you see in my painting something related to the consciousness that has been formed by my Latvian past — not a historical past, but a mythological past — as experienced in stories, legends, folklore, objects, landscapes and images.

No biographical write-up is currently available for this artist. Millions of worldwide auction records Discover artists and art prices using askART! Carl Fellman Schaefer. Nathaniel Freese. Rino Sernaglia. Maurice William Greiffenhagen.

Henrijs preiss biography sample

Adam Myjak. Roger Belleghem. Maurice Vagh Weinmann. Shahin Memishi. Otto Muhlenfeld. Jean Dubois. Michael Wutky. Is the artist identified with any particular art movements, or artists , who influenced his or her work? Where, when, and under whom did the artist receive education and training? Can you provide all relevant personal background information on the artist?

In which Art Organizations was the artist a member? Can you provide a list of all major museum and artist association exhibitions?