Frederick remington artist proofs

Surprisingly, the true definition of the word "print" does not apply here. Collier's and the other publishers did not sell "prints. If they were indeed original prints, the design would have been created on the printing medium a wood block or metal plate by Remington. Frederic Remington was not a printmaker. Instead, Remington's original was reproduced by staff at the publisher.

Illustrations and prints became an important part of Remington's fame and popularity with the American public. Throughout the s, Remington was well known in American households as an illustrator of the Old West and military subjects. His interest on the details of his human and equine subjects conveyed authenticity, though he worked in his studios in the East.

Aside from his year outside of Peabody, Kansas, he spent only about three years total on western trips. Remington collected thousands of photographs, both commercial photos and ones he took himself, as visual notes. He filled sketchbooks wherever he went. His drafting skills were modest when he started illustrating, but his combined talent and determination brought fluid proficiency and then greatness.

Beyond his reliance on props, notes and photographs, Remington was also blessed with a keen visual memory. He had a knack for creating compositions that worked artistically and contributed to the viewers' feeling that they are 'really there', when in fact, Remington created each scene wholecloth. Wood engraving : a. A block of wood on whose surface a design for printing is engraved across the end grain.

A print made from a wood engraving. Remington's illustrations were reproduced this way in books and magazines through the s. Half tone : A picture in which the gradations of light are obtained by the relative darkness and density of tiny dots produced by photographing the subject through a fine screen. Photogravure : Any of various processes, based on photography, by which an engraving is formed on a metal plate, from which ink reproductions are made.

Frederick remington artist proofs

Graver, or Burin - A tool used in engraving metal, wood, or stone. A knob-like wooden handle which holds a metal shaft having a sharp beveled point with one size of several possible shapes, either flat, round, multiple, or elliptical. It is generally designed to be pushed by the hand. Gouache - A heavy, opaque watercolor paint, producing a less wet-appearing and more strongly colored picture than ordinary watercolor.

Also, any painting produced with gouache. Wash : A painting on paper made with a wetted brush dipped in India ink. Though he died at 48, Remington produced over 3, signed flat works. It was the massive exposure in magazine pages that launched his fame. In the mid- s, when Remington launched his career, magazines lacked the technology to print photographic images with columns of text.

We do not answer questions to determine the authenticity or value of your piece. Please refer to the authentication and appraisal page here for more information. Remington has been forged since the early 20th Century. His most famous forger was named Eugene Field, Jr. He also made inscriptions in books, signing Frederic Remington's name.

Field invented a "kicking horse" signature for his faux Remingtons. In each of Field's "Frederic Remington" signatures, he drew a horse leaping from the "F. Since Remington's work was widely available in prints and illustrations as early as the s, and was also highly valued and popular, there are many forged Remington oil paintings.

Some are copies of prints in circulation, some are in Remington's style, but not copied from any particular work, and in some cases the only association they have is that Remington's name appears on their surface. There are fake Remington sketchbooks and drawings. These works are executed with a range of effectiveness, from the absurd to the highly plausible.

In every case, Remington prints are reproductions. The design is created by hand by the artist on the medium. The medium is then inked and transferred onto paper by running paper and the inked medium together through a press. When Remington was commissioned to illustrate Longfellow's epic poem, The Song of Hiawatha , he took the project to Cranberry Lake for the summer of , where he drew pen and ink illustrations and painted 22 canvases.

Often he employed the local landscape and fauna in these drawings. Throughout the New Rochelle years the Remingtons traveled north to St. Lawrence County for their summer retreat. They continued to visit family and friends in Canton and Ogdensburg, often getting to the relative wilderness of Cranberry Lake. In , they bought an island at Chippewa Bay, in the St.

Lawrence River's Thousand Islands. Remington named it Ingleneuk and reveled in its opportunities for pleasure. It came with a big house, a tennis court, a boathouse with a dock, and a caretaker's shanty. He built a studio at the rocky shore, facing the shipping channel. The setting appealed to both his craving for an outdoor get-away, and also his gregarious nature.

The nearby islands were occupied by friendly summer residents, so there was a great deal of visiting and dining, as well as tennis. There was a passenger boat that allowed him to take day trips to Ogdensburg, where he could eat and drink with old friends at The Century Club. He loved to bring friends and colleagues from New York City to come and stay.

Still, even at Ingleneuk, Remington was a highly productive worker. As at home, he worked most days until pm. Sometimes he'd paint at night, studying the moonlight. Excellent train service allowed them to leave New York City in the evening, have a comfortable night's sleep on the train, and wake up at Ogdensburg or Hammond. The train to Hammond provided a convenient and reliable way for Remington to ship his completed paintings to Collier's in New York, where they would make them into color illustrations in the weekly magazine, then reproduce them as mass-market prints.

Frederic Remington was inspired when his neighbor, sculptor Frederick Ruckstull, encouraged him to work in clay. He worked on his first sculpture, The Broncho Buster , for a long time, and patented it in Remington was chafing at the inherent limitations of illustration work -- the constant deadlines and the need to create images that corresponded to text -- and was thrilled at the opportunity to create works in three dimensions.

The Broncho Buster was an ambitious form to cast in bronze, with so much of its weight cantilevered, rather than safely supported by three or four hooves. Two of these subjects he also had cast at the second foundry he worked with, Roman Bronze Works, also in New York. While the Henry Bonnard foundry employed the sand casting method, in which each sculpture is nearly identical, he greatly preferred the results of Roman Bronze's lost-wax method.

Lost wax is a truly ancient process, but was relatively new in the United States in Remington's time. In lost wax casting, a wax positive is cast in the middle of the process. Remington enjoyed the involvement he was afforded in retouching individual casts. Each subject was cast according to demand, in numbers ranging from one or two to about one hundred and forty.

Sculptures made at Roman Bronze Works under authority of Eva Remington and later by the estate are considered to be authentic casts. These posthumous casts are more numerous than those produced in Remington's lifetime. Forgeries began to appear soon after Frederic's death, much to Eva's dismay; and though the Ogdensburg museum kept the copyrights renewed as long as possible, unfettered production of Remington sculpture reproductions and Remingtonesque sculptures has flooded the marketplace since the s.

It is unfortunate that Remington, who obsessively monitored the casting quality of his sculptures, is now best-known by these tourist-grade imitations. This sculpture was a commercial success, and became one of the artist's best-known works. The Broncho Buster 23 included in the exhibition is a very fine, early cast. Books are returnable within ten days.

Orders usually ship within 1 business days. Shipping costs are based on books weighing 2. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. Payment Methods accepted by seller. Published by P. Collier, New York, Condition: Very Good Hardcover. Save for Later. View all copies of this book.